CND’s goal is to offer an increasing range of services to dance professionals, with an emphasis on its role as a resource centre and on building partnerships in the regional France and Europe.
Its 3 key missions are:
CND was founded in 1998 and it has been based in Pantin since 2004. Its responsibilities, as defined by a Statutory Order of 1998, focus on choreographic landscape that has evolved over the years, within which the CND has grown and “matured”.
Building and facilities
Since 2004 CND is located in Pantin, on the outskirts of Paris, within the town’s former civic offices situated on the banks of the Ourcq canal. This imposing building, designed by architect Jacques Kalisz in 1972, was awarded the Équerre d’Argent prize for renovation in 2004. The successful fusion between original architecture and renovation gives the building its unique identity and ambiance within the 7000 m² of available space, specifically designed for dance professionals. It is a comfortable, fully renovated building with 12 dance studios, 3 of which stage public performances, a multimedia library with collections ranging from rare and original works to documents with general public appeal, a film/projection theatre and a café.
Assistance is provided for orientation around the building, as well as information on specialist resources, individual interviews, access to data files, computer facilities, and so forth. A lounge area enables members of the public to keep in touch with news and currents events, with access to publications and an atrium area with live viewing facilities to watch activities and events held in the Large Studio.
Can dance be perceived as a ritual? How are ritualised actions created in dance practices? What are their qualities, or singularities? What effects do they produce? In what way can referring to a rite enlighten, modify or displace dance practices?More
The project Europe Beyond Access supports disabled artists to break the glass ceilings of the contemporary theatre & dance sectors. At the lab hosted by Holland Dance Festival, the following question stood central: How can we create dance and performing arts scenes that are more diverse and that support the work of disabled dancers and artists?More
Over the course of the summer, EDN member Lokomotiva (North Macedonia) conducted the first edition of its International Summer School. We highly recommend diving in the resources made available online by Lokomotiva to reflect on contemporary practices of performing arts in relation to activism, social movements and self-organization.More
In times when certain democratic processes seem in crisis, the CND and EDN thought it important to take a global look at Europe and the world so as to understand better the realities of each country in danger and conceive more exactly spaces for international solidarities. Giving a podium for artists and groups committed to struggles which are at once societal, political and intimate seems to us to be the best way to bear witness to today’s artistic realities.Summary list
In February 2017 a group of eight representatives of EDN attended a very rich programme of initiatives, participated in speed networking sessions with artists and professionals, developing new connections and dialogues, being introduced to representatives of Asian funding bodies and supportive organizations. This was the first step in the collaboraiton with AND+.
Roberto Casarotto shares his report of the meetings.Summary list