Guiding principles
Espaço do Tempo is a performing arts cross disciplinary organisation. It strongly believes in new forms of theatre language as well as contemporary dance, as being at the center of some of the most interesting and innovative experiences on stage today. Therefore, supporting emerging artists is a key part of its mission, mainly in 4 different directions:
Learn more in the video below about O Espaço do Tempo's work with residency programming:
History
Until 2018, O Espaço do Tempo was based in the Convento da Saudação, an ancient Dominican monastery dating from the 16th century, on the top of a hill, in the beautiful town of Montemor-o-Novo, in Portugal (100 km from Lisbon).
Building and facilities
Facilities include 5 large rehearsal studios equipped with grid, light, sound, video and internet. In addition to very generous social areas, such as offices and a beautiful central cloister, it offers 14 double rooms and a small, but fully equipped, black-box theatre located in town.
Due to a heavy storm that broke the roof of the convent, the activities of O Espaço do Tempo have been relocated throughout the city of Montemor-o-Novo.
Both full paper and executive summary are available for download.
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Both full paper and executive summary are available for download.
More
Both full paper and executive summary are available for download.
More
Both full paper and executive summary are available for download.
More
In 2021, European Dancehouse Network commisioned partner organizations and researchers to investigate the key trends and relations between dance and well-being, dance and mobility, digital shifts in the dance field before and post-pandemic time, as well as how dance could contribute to EU’s external relations. All papers are available for download.
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In between the Carte Blanche - Artists Focus and the Encounter, a group of European artists went for three weeks to Montréal for an artistic exchange, following the EDN Encounter that took place two years earlier.
Summary list
In the Atelier that took place at O Espaço do Tempo, participants developed writing and editing skills, found help to organize research and got an update to the latest development in social and multimedia. One of the participants offers a personal approach to the “Communication Strategies” Atelier.
Summary list
Dance Connect (2015) aimed to facilitate the mobility of Indian emerging choreographers within European institutions including residency and presentation formats.
Summary list
From November 28th till December 1st an EDN Encounter took place in Montreal, Canada bringing together EDN members with their peers from the CanDance Network. The Rencontres in Montreal at L’Agora de la Danse focused on how a dance house and/or institution mediates between artists and their audiences/communities.
Summary list
By taking part in a nomadic bus trip to several locations in Slovenia, Croatia, Serbia, Macedonia and Bulgaria, EDN members connected with Nomad Dance Academy – Balkan network for contemporary dance and got acquained with the potentials of the region.
Summary list
EDN representatives travelled to Chile to attend the 14th edition of the festival Danzalborde. Additionally, EDN members visited the School of Architecture of the Universidad Técnica Federico Santa Maria. Directors of dancehouses and students shared conversations about the buildings for dance.
José Laginha, director of DeVIR|CAPa, shares his experience of Valparaiso and Santiago de Chile.
Summary list
Many dancehouses in Europe have been created over preexisting buildings: convents, factories, industrial sites, brick houses, distilleries, to name some examples. This Atelier at CSC Bassano del Grappa took place in a series of meetings aimed at considering and tracing the European, as well as the international, dancehouses history.
Summary list