Guiding principles
For over 50 years, The Place has explored the possibilities of what dance can do. It seeks to engage with audiences and participants, champion the best ideas and create inspiring conditions for artists and enthusiasts to realise their potential. The Place combines London Contemporary Dance School, Richard Alston Dance Company and a 285 seat theatre, together with pioneering learning, outreach, recreation and professional development projects.
History
The Place has been a focal point of dance creativity in Britain, contributing to the development of cutting edge contemporary work, particularly new choreography, since it was founded in 1969.
Building and facilities
The Place has 11 state-of-the-art dance studios, a studio theatre and a cafe (open 6 days a week) and is situated in the heart of central London, between Kings Cross / St Pancras and Euston stations.
What does it mean to be truly contemporary, in arts, in dance, in culture and politics? Bonnie Greer and Eddie Nixon tackle some big questions in the first conversation of The Place 50th anniversary celebrations.
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Bora Bora together with dance dramaturg Thomas Schaupp are inviting you to join a hands-on public symposia on “Contextualizing Dance – Dance Dramaturgy as a practice of interlinking Art with the Society” happening 13th and 14th of December 2019 at Bora Bora in Aarhus, Denmark.
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Aerowaves and audience development expert Heather Maitland have compiled an Audience Development toolkit to give practical guidance to dance organisations, using international research and case studies from Aerowaves partners.
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This report synthesizes the global evidence from over 900 publications on the role of the arts in improving health and well-being, with a specific focus on the WHO European Region.
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EDN member HELLERAU opens a special call for artists who like to investigate the relationships between nature, environment and art in their work.
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Leaders have ultimate responsibility for everything. They set the vision and direction of travel, inspire and nurture others, and make decisions that cannot always be popular. Other people may offer advice and opinions, but in the end it is up to the leader to juggle different demands, make sense of diverse views and shape the future. Leadership is a lonely dance.
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Jessica Greer, Project manager at The Place London visits Tanec Praha in the week of Česká Taneční Platform (Czech Dance Platform) and shares her experience.
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Modul-dance was a multi-annual cooperation project with the participation of 20 European dance houses from 16 countries. Its main aim was to support development, mobility and exchange for dance artists.
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The very first step towards EDN, IDEE was proposed by 9 dancehouses working together for the first time as a network. It set out to work with emerging choreographers to help them to make connections across Europe and to contextualise their work for international audiences.
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The cooperation project Shape It proposes a new model for developing dance performance for young audiences. It will run from 2019 to 2021, under the leadership of The Place (UK).
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By invitation of the West Kowloon Centre, four EDN members joined the 4th edition of the Producers' Network Meeting and Forum. It provided a new occasion for EDN to connect with AND+ since the Encounter in Japan in 2017.
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Kore-A-moves (2010-2013) provided an intensive introduction of Korean choreographer’s works to audiences in Europe and the establishment of horizontal exchanges for the future between choreographers and companies, structures and models between both regions.
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The second edition of the EDN Carte Blanche for artists took place from August 20th to 26th, 2019 hosted by the CSC – Centro per la Scena Contemporanea. Twelve artists from nine Dancehouses attended B.Motion under the guidance of local mentor Eva Zilio.
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EDN organized the Information Workshop on Dance Production and Funding in Europe in Brussels. The aim was to consider the current realities of producing dance for the contemporary dance sector in Europe, the impact of funding schemes on artistic practice and the possibilities for closer collaboration and information exchange with institutions involved in cultural funding in Europe.
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